Spruce and maple is always a good idea. Crisp, loud, sweet and precise. Add some Bearclaw figure to the top and quilting to the back and it’s a knock out! The spruce top is old growth salvage from Alaska, the maple is from the Carpenter Ant stash, the pistachio is from California orchards and the fir is from an old floor joist.
#650- Port Orford Cedar and Walnut Tenor Ukulele
Bread and butter: POC and walnut. It sounds awesome, looks great and is local to me. I actually took the time today to sit and play this one and I surprised myself again and again. It was so fun to play and sounds so sweet! The POC is from the Oregon coast and the pistachio from California orchards, both via woodfromthewest.com. The neck is made from salvaged redwood and the walnut is from the scrap bin at Goby Walnut in Portland.
#647- Maple, Mahogany and Cherry Five String Banjo
I love putting together banjos like these, using whatever woods are on hand and in the way. It helps keep the rhythm of the shop moving and they look and sound great too. Maple block rim and Mahogany neck stained to match, with Cherry fretboard and headplate. A very simple design with as few add-ons and features as possible. The Maple is scrap from our kitchen cabinet project, the Mahogany and Cherry are from the Carpenter Ant stash.
#625- Builder’s Choice- Redwood and Walnut Tenor Ukulele
This builder’s choice tenor ukulele is something special! I love the bright and sparkly tone, which still has wonderful sustain. I’m keen to try it with a low g, I bet it would shine. The redwood top is from a luthier’s estate sale, all the walnut is from Goby in Portland and the redwood neck is salvaged from an old beam. I added some special multi colored purfling, brass fret markers, a K&K pickup and a rustic maple star in the headstock.
#643- Cedar and Dogwood Scout Ukulele
Western Red Cedar is my current favorite top wood for ukulele. It is light and rather soft, but quite strong when quartersawn. This Cedar is from an old wooden hot tub that I got from the Rebuild-It center and is very old. The Dogwood back and sides are from the Carpenter Ant stash. The grafted Pistachio is from California Orchards.
#648- Fir, Cherry and Maple Short Scale Five String Banjo
Old Douglas Fir is a favorite of mine. In this case, I cut up an old door and a piece of scrap wood and put it back to work as a banjo. A few pieces of Cherry and Maple had some strength, mass and a subtle color contrast. Over all, I’m really pleased with it and may try it again. All the wood for this project was salvaged from the Carpenter Ant stash in Portland.
#649- Curly Walnut and Pistachio Five String Banjo
It’s hard to describe the difference in sound between an 11” and 12” rim. The 12” just sounds…more? Because this one is walnut, has a goat skin head and non steel strings, I recommended adding the brass tone ring, which added a little growl and sparkle. The customer asked for rope binding, so we put it pretty much everywhere. Why not! The curly walnut is from here in Hood River, milled by the folks at The Dee Mill. The pistachio is from California Orchards.
#644- Spruce and Dogwood Baritone Ukulele
Dogwood is proving to be a really nice tonewood. Almost as bright as Maple, with a cheerful sound and a unique look. This Dogwood is from the Carpenter Ant stash, felled and milled by Ken on-site and stored for many years. The Englemann Spruce is from a retired guitar builder, the Pistachio is from California orchards and the Douglas Fir neck is salvaged from a floor joist.
#646- Walnut and Pistachio Concert Banjo Ukulele
It’s fun to think of these things I build as mixed media art works. In this case, walnut, pistachio, brass and goat skin. Familiar materials to me by now, but always a treat to work with. Walnut from the scrap bin at Goby in Portland, Pistachio from California Orchards, brass hardware by Brooks Masten and the tension hoop by me.
#642- Koa Soprano Ukulele
My soprano ukulele model is based off of a 1920’s Lyon and Healy ukulele, but includes my own modern ideas. This is a hard balance to get, but I really enjoy the process. The goal is an instrument with the chiming sparkle of an old one, but modern playability and a bit more tone and sustain. The precious Koa for this instrument comes from the Carpenter Ant stash in Portland, originally imported and cut for clock making. I will be donating to https://savinghawaiisforests.org for this build and I encourage all of you to support their cause if you are able. The Oregon Walnut is from the scrap bin at Goby in Portland and the Douglas Fir neck is salvaged from a floor board.
#638- Spruce and Walnut Scout Ukulele
Spruce top, Walnut back and sides, mustard tank Cypress neck and Cherry everything else. A soprano ukulele made from the scrap bin. It’s off to the Scout wait list.
#637- Douglas Fir and Curly Maple Baritone Ukulele
This really shows the balance of what I do and what matters to me. Huge sound, easy playability, salvaged/sustainable timbers, and neat craftsmanship with a rustic texture. This baritone is tuned gcea and I love the sound, it was a real joy for me to play it today. The fir is salvaged from the Carpenter Ant stash in Portland, the curly Maple is from woodfromthewest.com and the curly Walnut is urban salvage from Goby Walnut.
#641- Maple, Mahogany and Jatoba Short Scale Five String Banjo
This banjo is for our friend Dennis, who has been playing Clawhammer ukulele for many years and is ready to try it on banjo. It is an 11” rim with a 20” scale neck, our short scale five string banjo. Maple rim and Mahogany neck stained to match with a Jatoba/Brazilian Cherry fretboard. The brass is aged and the head is stained with walnut ink from our yard, foraged and processed by Henry and his friends. All the wood is from the Carpenter Ant stash in Portland.
#639- Curly Walnut and Pistachio Five String Banjo
When I build a banjo like this, I keep it for a little while so the neck, head and rim can settle in. I adjust it a bit every day until it’s ready to ship. Sometimes, they are pretty hard to let go, especially this one. Local curly Walnut from The Dee Mill and Pistachio from California Orchards. A wooden tone ring with non steel strings. 11” rim and 25.5” scale length. Check out the shoes, hooks and nuts from Brooks Masten. So sweet.
#633- Builder’s Choice- Alaskan Yellow Cedar and Curly Maple Alto Ukulele
If you have been following us for a while, you probably know how special Camp Westwind is to us. On the Salmon River estuary, with Spruce forest, tide pool beaches and rocky cliffs, it is a favorite retreat for our family. This top is made from Alaskan Yellow Cedar, harvested from a log that our friend Duncan found on the beach at Westwind. He cut a slice off it to use in his printing projects, which allowed him to count over 250 annual rings. We cut two sections of the trunk and have been splitting, milling and drying ever since. This is the first ukulele with this special wood! The back and sides are curly, spalted Maple, harvested by our friend Ben Bonham. The combination looks rustic and sounds sweet, I’ll certainly use it again. The neck is Hemlock and the fretboard, headplate, bridge and binding are Pistachio from California orchards.
#635- Douglas Fir and Curly Red Oak Tenor Ukulele
An all domestic wood tenor ukulele with a big, bold sound. Fir and oak for the win!!! The oak and fir are from the Carpenter Ant stash in Portland and the walnut is urban salvage from Goby Walnut. The small silver keepsake inlayed in the headstock is a family heirloom given to our customer from her late mother. Thanks Maja for entrusting us with something so special.
#634- Curly Port Orford Cedar and Mastergrade Myrtle Tenor Ukulele
I got the chance to talk to this customer on face time, and it was a pleasure. He said he wanted “wavy, wabi-sabi and binding optional”! He also wanted to be surprised with how it looked when opened the case, so I didn’t send any progress pictures. I chose an asymmetrical and curly Myrtle back and sides, with a slice of sapwood in it. It made sense to pair it with a multi colored pistachio fretboard and headplate that includes some tractor blight markings and sapwood. After all that, I chose a Port Orford Cedar top that was a little wavy, but not too much. The neck is salvaged Cypress from a mustard tank with some hard maple stripes. I like it with no binding, as it softens the look of the edges and borders, emphasizing the muted earth tones.
#636- Maple and Pistachio Concert Banjo Ukulele
A classic design with some small unique touches from Mother Nature! The first Beansprout model I ever built was a maple concert banjo ukulele and they always sound “right” to me. The maple rim has some spalting and bark inclusions that give it some nice color variations. The pistachio has some beautiful stripes as well. The customer asked for a low fourth string, which is a great sound. The maple is all leftover from our kitchen cabinets and the pistachio comes from California Orchards, www.woodfromthewest.com.
#632- Fir and Curly Koa Scout Ukulele
Koa is precious. Any scrap I’ve salvaged over the years deserves to be used for something useful. I don’t support the Colonial takeover of the islands or the depletion of the forests. But I do support modern reforestation efforts and indigenous rights. Part of the profits from this build will go to https://savinghawaiisforests.org to plant new Koa trees. Consider pitching in yourself.
The Douglas Fir for this ukulele is from the Carpenter Ant stash, the Pistachio comes from California Orchards and the Koa is scrap left from my time at Mya-Moe.
#629- Bearclaw Spruce and Grafted Walnut Baritone Ukulele
This is a really special ukulele, made from some really special pieces of wood. All of these pieces needed a bit of persuasion to do their part in the process, as they all were grafted, marked, scarred or otherwise special. Salvaged Bearclaw Sitka Spruce from Alaska, grafted Walnut and grafted Pistachio from California Orchards and Douglas Fir salvaged from a floor joist.