In some ways, this is a pretty standard ukulele for me, but it has a few features that make it stand out. The first is the fancy purfling from Gurian that we call “bird’s foot” purfling. It is the same as Nicole’s ukulele, which has been one of my my popular builds lately. The back and sides are cut from a Claro walnut gunstock blank, which is very beautiful and a obviously a little bit symbolic. These parts were so visually striking, that the rest of the wood is less flashy: a lightly curly Port Orford Cedar top, simple pistachio from California orchards and a hemlock neck salvaged from floor boards. Also, it plays easy and sounds great, happy strumming Harold!