Spruce and maple is always a good idea. Loud, sweet and rich with awesome sustain. The spruce from this was cut for a dulcimer maker in the 1960’s, the curly maple came from a retired violin maker and the Texas ebony from a retired banjo builder.
#672- Walnut and Pistachio Concert Banjo Ukulele
This is one of my go-to models, so it would seem to be mundane for me. But, they all turn out a bit different, which keeps it exciting. I like the rich sound of the walnut, but this one also feels light, bright and easy to play. The walnut comes from Vashon Island, WA and the pistachio from California Orchards.
#676- Curly Cherry Four String Banjo
This banjo is for one of our favorite people, Matt Weiner, a bass player we work with a few times a year. He also plays tenor guitar and decided to add tenor banjo to his arsenal. This instrument has steel strings and is tuned CGDA, one of the traditional tenor banjo tunings popular with jazz players. I used Curly Cherry and Texas Ebony for this one, which I got from a retired banjo builder. It makes for a loud but sweet tone, with a bit of growl on the bass strings. I look forward to getting Matt’s feedback on this banjo and seeing him play!
#671- Walnut and Pistachio Mini Five String Banjo
I love these mini five string banjos lately! A great travel instrument or perfect for someone who is struggling with the larger size and weight of a regular banjo. The walnut for this one is lightly curly and includes a lot of sap wood, for a patchwork effect. It comes from the shorts bin at Goby in Portland. The colorful pistachio comes from California orchards.
#667- Western Red Cedar and Curly Walnut Alto Ukulele
Sometimes simpler is better. In this case, leaving off binding makes for a tidy look that lets other elements pop out. The light sapwood in the top rhymes with the maple veneers throughout the instrument, something that might have been visually lost with binding. The Cedar is from Jayson Bowerman, a guitar maker from Bend who harvested this log himself. The curly Walnut is from Goby in Portland and the Mahogany neck is a scrap from a furniture maker.
#670- Fir, Cherry and Maple Scout Banjo Ukulele
Just like my Scout ukulele, this Scout banjo ukulele is a lightweight, super playable instrument with clean lines and humble materials. Made of shop scraps and orphaned parts, it has a classic look and old school tone. The neck is Douglas Fir and the flat Cherry fretboard is soprano scale. The rim is a thin drum shell, painted black, with dark brass parts and a stained goat skin head. $1000 plus shipping, including a blemished hard shell case.
#664- Mesquite and Pistachio Mini Five String Banjo
It always takes me a few minutes to adjust my touch from a regular five string to one of my minis. But once I do, I’m always glad I did. Even though they are small, they growl, purr and roar in my lap. So much fun! This one is made from Mesquite, a wood from Texas/Mexico that I got from a retired builder and Pistachio from California orchards. I think the Mesquite is similar to oak in tone, with a dusty rattle that I love. This one is off to British Columbia and ready to make music!
#663- Curly Cherry and Pistachio Mini Five String Banjo
8” rim, 17” scale, but tuned to standard/open g tuning. So much fun! The curly cherry is from a retired banjo builder and is the sweetest wood in the shop right now. Not too loud, but bright and rich. The Pistachio is from California orchards.
#661- Fir and Curly Maple Baritone Ukulele
The maple from this baritone ukulele came from an amateur violin maker, who’s health had stopped him from realizing his dream. He only made a handful of instruments and I bought his maple from him when he had to give up. He wanted to make sure that I made instruments from it and here we are. (There is one next month too.) The Douglas Fir is all salvaged old growth wood from the Carpenter Ant Stash. The grafted Pistachio is from California orchards. Loud, crisp and complex, with lots of sustain, I had a great time playing it before shipping.
#665- Walnut and Pistachio Concert Banjo Ukulele
This is one of my standard models, but it’s been a while since some one ordered one. It felt good to play this one today and remind myself how much I like it. The goat skin head adds a little more rustic tone and the K&K pickup ensures that it is ready for the stage. The walnut is from a retired furniture maker on Vashon island and the pistachio is from California orchards.
#660- Cedar and Mahogany Scout Ukulele
Made from shop scraps and humbly presented to you for a lifetime of happy strumming. A soprano scale ukulele with geared tuners, bone nut and saddle, fluorocarbon strings and a gig bag. The neck and top are Western Red Cedar from a salvaged hot tub, the back and sides are mahogany and the fretboard is cherry. Maple binding and bridge add some nice contrast.
Want to get on the wait list for one of these? Info@thebeansprout.com
#659- Cedar and Koa Baritone Ukulele
Yes, we are all about the sound and playability, but the woods have to make sense together too. In this case, I had fun starting with the dark, streaky Koa, adding a simple cedar top, dressing it up with maple binding and bird’s foot purfling and tying it together with the neck woods. I love how it all works together but doesn’t “perfectly” match. The best part about the sound of this instrument is the high dgbe stringing, which still has the low end but allows for banjo style picking.
The Cedar is from the Carpenter Ant Stash in Portland, the Koa is from an estate sale in Colorado, the Pistachio is from California orchards and the Spanish Cedar is from a retired luthier.
I’ll be donating to https://savinghawaiisforests.org for this build and so should all of you.
#662- Curly Walnut and Pistachio Four String Banjo
With a 20” scale, non steel strings and an 11” rim, I originally designed this mode to appeal to baritone ukulele players. Since then, I have seen many kinds of musicians discover them and I’m quite pleased. This one has lovely curly walnut from Goby and Pistachio from California orchards. The goat skin head, brass arm rest and hardware from Brooks Masten make it just fancy enough.
Builder’s Choice- #657 Alaskan Yellow Cedar and Oak Soprano Ukulele
Inspired by 1890’s Hawaiian ukuleles, this Beansprout is a great combo of traditional and modern. It’s a soprano ukulele, with Alaskan Yellow Cedar top, Oak back and sides, Fir neck and Texas Ebony fretboard/headplate/bridge. The rope binding was made in house, with maple, cherry and walnut in a random pattern. I used some amber stain to mimic the look of old lacquer. Modern features like geared tuners, bone nut/saddle, fluorocarbon strings and strap buttons make it easy to play. (Note: this instrument has a flat fretboard in the traditional style as opposed to a radiused fretboard that we usually have on our instruments). The Cedar is from Camp Westwind, the Oak is from the Carpenter Ant Stash, the Fir is salvaged from a floor joist and the rope binding is made from shop scraps.
#640- Oak and Texas Ebony Banjo Ukulele
The rim for this banjo came from a very old banjo mandolin. It is a heavy, high quality, 10” spunover rim which I paired with a stained goat skin head. I made a new neck for it from oak and Texas ebony. The slightly larger rim with 17” scale sounds great with gcea tuning. I look forward to using this for an upcoming recording project.
#645- Cedar and Myrtle Tenor Ukulele
I needed one for an upcoming project, so here it is! Cedar is reclaimed from a hot tub, the redwood neck is salvaged from a factory vat, the pistachio is from California orchards and the myrtle is scrap from the old Mya-Moe shop.
#653- Curly Port Orford Cedar and Pistachio Baritone Ukulele
Wow. The grafted Pistachio back on this one is a real knockout. When the tree does all the hard work, I just have to wrap it up! The curly Port Orford Cedar top is from the Oregon coast and all the Pistachio is from California orchards, both via woodfromthewest.com. The cedar neck is from an old barn beam I found. The curly maple binding adds a nice light colored accent that ties it all together. This is the last instrument of 2021, see you next year!
#656- Fir and Walnut Scout Ukulele
I thought Fred’s baritone was going to be the last of the year, but this one snuck in there. Made from Douglas Fir and Walnut shop scraps, with a rustic maple star inlaid on the headstock. It has a dusty yet rich sound and is a joy to strum.
#655- Western Red Cedar and Dogwood Baritone Ukulele
This instrument is basically a copy of one I built for Lizann (keeper of the Carpenter Ant stash) this summer. The Dogwood is from a tree that grew at their house, cut and milled by her father Ken many years ago. It turns out to be great for ukulele back and sides. Add an amazing old Cedar top and it really sounds awesome. The binding, fretboard, headplate and bridge is Pistachio from California orchards. The Douglas Fir neck is salvaged from a stair tread.
#651- Mastergrade Myrtle Tenor Ukulele
I love the wood grain on this. Every time I look at it, I see new colors, patterns and curl. I am so grateful to get to work with an Oregon tree like this, provided by our friend Kevin at woodfromthewest.com. I used simple Myrtle binding to wrap it up, which gives it that muted, natural, wabi-sabi look. The Pistachio fretboard/headplate/bridge is from California orchards and the fir neck is salvaged from a stair tread.