The all Myrtle baritone is a classic for me, stretching all the way back to my Mya-Moe days. I am always happy to make another in this tradition. The Myrtle for #919 was from a Portland tree, harvested by David from Epilogue Lumber. I love the dark mineral streaks in the light colored Myrtle and I have more of it, if you want a similar instrument. Even the fretboard, headplate and bridge are Myrtle. I chose a simple salvaged African Mahogany neck as a nice contrast. It sounds rich, dark and complex, with plenty of sparkle to top it off.