Wow- this one really has autumn vibes. Break out the decorative gourds! The top is a single piece of salvaged Western Red Cedar and the back is some Cherry from the Carpenter Ant stash in Portland. Both have little marks and natural flaws that give them character. The neck is some Douglas Fir, salvaged from a floor joist. The fretboard/headplate/bridge are Jatoba, a South American wood I salvage from old flooring scraps. Some bright maple binding and a Santo style headstock add some visual flare. It sounds nice too, rich and warm with a dusty texture. I think I’ll go rake some leaves and put a sweater on.

“Dear, Aaron, Nicole, and Henry,
The Ukulele arrived a week ago, and I’ve spent time with it every day.

I am someone who never should be trusted at a buffet, and, having worked my way through the various ukes in the gallery I was overwhelmed with the choices. I put myself on a ‘diet’ and only requested a cherry back and sides and simple binding; Aaron knows more about ukes and woods than I ever will, so I trusted his judgment on the rest. I could not be more pleased. Each of the woods is a rich color that melds perfectly with the others. Every wood has its own distinct character, but they all come together. The maple binding has an alternating pattern of light and “not so light” that gives the impression of a very subtle rope binding.

The action is light and quick. My 70-year-old hands find barre chords easy to play. The tone is true and rich and goes quite well with my baritone voice. I look forward to getting to know this instrument and hearing how it matures.

I played in a 3 uke session yesterday and this one held its own, singing out on solos, but giving up nothing as part of the group.

Finally, Aaron’s shop must smell wonderful. As I play, there is an incredible perfume that comes out of the sound hole.

Thank you for the care you’ve put in this instrument.

- R. E. ”