This instrument just feels like spring to me. The smell of dirt, the bite of the last frost, the struggle to sprout, the feel of compost in my hands, the promise of a new thing grown from last years refuse. It sounds/looks funky, rich and sunshine bright, all at the same time. I’ve had a hard winter and sometimes it’s been hard to keep the pace I’ve set for myself. This one helped me transition to spring and the chance to make a few small changes for the better.
The Port Orford Cedar top is from the Oregon coast and has some dark mineral staining from its years sitting as a stump before it was salvaged. The curly walnut back and sides are from Goby Walnut in Portland. The fir neck is a salvaged floor joist. The pistachio fretboard, headplate and bridge are from California Orchards.
“Aaron and family,
I’ve been playing #575 for a few days now. It is stunningly beautiful. I feel very privileged because you made me the most beautiful instrument in your entire gallery. I’d bet that most of your customers feel that way about their own instruments!
When I first played it, I thought it sounded quiet and a little thin. In the days since, it seems like I can hear a change in tone and resonance. I’m not sure if it’s the wood settling or the strings stretching or my playing technique. I suspect it could be all of the above. This feels like an instrument that will change and grow with me as we get to know each other.
Each time I play it I find a new detail to admire. I especially appreciate how the neck is tapered at the fingers and more square for the thumb. It is very comfortable to hold and play.
Your instructional videos and instrument demos on YouTube have been a daily part of my life for years now. I really loved the personalized video you made for #575. I must have watched it 10 times!
Thank you for the beautiful and unique ukulele.
- J. H. ”