I find that some of my best instruments are the ones where I take the wood’s natural tonal characteristics and find a way to enhance them, but not take it too far. In this case, I knew that spruce and maple will be naturally bright, which is good, but I also want to brace and carve the top so that it is still rich and warm. This time it really worked out! The Bearclaw figure spruce is old growth salvage from Alaska, the Spalted maple back and sides are from the Carpenter Ant stash in Portland, the fir neck is salvaged from a floor joist and the Pistachio is from California orchards.