#538- Cherry, maple and pistachio concert banjo ukulele

Learning a new skill is a transformative experience. The growth and knowledge that comes from trying something new is a major part of a crafts person’s journey. In this case, my new skills were also transformative to my materials, changing their look or function. First of all, I have been learning how to make my own brass tension hoops and tone rings. This means rolling, soldering, grinding, notching and polishing. I don’t mind if they look handmade, but they can’t be sloppy and need to be strong.

Second, I needed to learn how to darken the brass parts using an acid solution to create a different patina. Pretty easy and I like the look.

Third, my son and I made a natural stain/dye from the walnut shells in our yard, a common practice in folk art tradition. I used it to stain the goat skin head.

Lastly, I’ve been meaning to try a thin laminated rim with a brass tone ring instead of my normal block rim. Sound wise, I think this makes for a brighter, more traditional banjo uke sound. A little less sustain and a more percussive edge. I stained the rim and bridge black and used black laminates and accents on the cherry and pistachio neck to tie it all together. I think I’ll keep this one, but drop me a line if you want something similar.

#529 Cherry and Pistachio Concert Banjo Ukulele

Cherry is a favorite of mine and I think I need to do more to publicize it to customers. It is inexpensive, easy to use, readily available, relatively sustainable, looks great and sounds great. It also darkens and changes over time, offering a unique patina with use. The cherry for this one comes from the Carpenter Ant stash in Portland and was originally cut for grandfather clocks. The pistachio comes from California orchards.

This beautiful cherry and pistachio banjo uke arrived today. It’s in great shape, and I love the case too. Thank you so much. What a treat.
- C. V.

#523- Spruce and Walnut Scout Ukulele

This one is a winner, with easy playability, charming tone and a classic look. One piece spruce top, one piece walnut back, rope binding, old growth hemlock neck and walnut fretboard, headplate and bridge. All made from cutoffs and shop scraps. I predict I’ll be able to get to one scout per month for the foreseeable future, so send me an email if you want to get on the waitlist. Info@thebeansprout.com

#528- Curly Walnut Tenor Banjo Ukulele

Walnut for a banjo uke is a great choice. It’s dense enough to have good volume, but has a dark, chocolate tone to mellow it out a bit. This one has a potpourri of walnut, with the rim made from Oregon walnut, cut here in Hood River and some curly and colorful Claro walnut from California. I used pistachio from California orchards for the fretboard, headplate and rim cap, tying it all together. I had a great time playing it today, preparing it for its trip to Idaho in time to strum some tunes with Tiffany’s family.

#526- Port Orford Cedar and Walnut Tenor Ukulele

I love that I get to take the same collection of materials again and again, but make an ukulele that looks completely different than the one before it. This variability is one of the best parts of working with wood compared to more uniform materials. This Port Orford Cedar top is a great example. It is one wide piece, not book matched, and includes some off center natural brown stripes. It sounds as good as all the other POC tops, but looks unique. The top is from the Oregon coast, the walnut is urban salvage from Goby in Portland, the pistachio fretboard, headplate and bridge are from California orchards and the hemlock neck is salvaged from a barn in The Dalles, OR.

#527- Port Orford Cedar and Mastergrade Myrtle Alto Ukulele

I admit it. I’ve had a hard couple of months. Malfunctioning shop equipment, a few uncooperative instruments on the bench and some imperfect customer communications have taken a mental toll on me. (Oh yeah. Wildfires, COVID 19 and the election too.)

I found myself wishing that I didn’t have these distractions so I could just focus on the task at hand. But then I remembered this: doing the job, even when you feel bad and things are not ideal, IS THE JOB. There is no ideal moment except this one.

So today I got up, chopped wood and carried water. I strung this uke up and gave my best for its final day in the shop. And today at least, I won.

The top is blue stained Port Orford Cedar from the Oregon coast, which has a crisp and cheery sound. The back and sides are Mastergrade Myrtle from the same board as my wife Nicole’s ukulele, which we found in Manzanita on her birthday last year. The Pistachio fretboard, headplate and bridge are from California orchards. The old growth fir neck is salvaged from a floor joist in Portland, complete with nail holes plugged with walnut. It has the muted color palette, the wild grain and the tiny natural flaws that embody the wabi-sabi ideal. It is a useful object that is also beautiful, hopefully destined to take someone else’s mind off of whatever is bothering them.

“The novice says to the master, ‘What does one do before enlightenment?’
‘Chop wood. Carry water,’ replies the master.
The novice asks, ‘What, then, does one do after enlightenment?’
‘Chop wood. Carry water.'”

I got to see and play my Uke yesterday, and it is gorgeous both aesthetically and in sound. Thank you so much!
- C. C.

#525- Mastergrade Myrtle Alto Ukulele

This uke is about as fancy as I get, with Mastergrade wood and the special “bird’s foot” purfling. But, it still feels natural and organic to me, like I didn’t need to work too hard to make it look fancy, I just needed to let each piece of wood speak for itself. The Myrtle is from a furniture maker who traded this wood in when they ordered an ukulele. The pistachio fretboard, headplate and bridge come from California orchards. The old growth hemlock neck comes from a barn in The Dalles, OR. It plays easy and has a classic ukulele sound, with a good mix of volume and sustain.

All I can say is, what a gem! Seriously so much more than I could have imagined and will certainly be treasured. Thank you for the work you do adding beautiful instruments and music to this world.
- R. W.

#524- Douglas Fir and Curly White Oak Alto Ukulele

When I restarted Beansprout, I drew a pretty hard line in the sand about sustainability and wood sourcing. Some people told me that I was crazy to limit myself by not using some of the typical rare, tropical woods that luthiers traditionally use. But, I have found the opposite to be true. The available number of domestic, sustainable woods open to me are far greater than the handful of choices a luthier is usually presented with. Today’s uke is a good example. The curly white oak is rather common in Oregon and I have almost a lifetime of it available, salvaged from the Carpenter Ant stash in Portland. In instruments, it sounds loud and lively, with a rustic, dusty vibe to it. This amazing old growth Douglas Fir top is likely an off cut or scrap from a long forgotten project, also from the Carpenter Ant stash. The mahogany neck is a leftover from the scrap pile when I worked at Mya-Moe. The pistachio fretboard, bridge and headplate are harvested as a by product of California orchards. It takes a curious nature, an antique picker’s persistence and hard work to source wood this way, but for me it’s the right thing to do. Also, it makes for instruments that have a slightly unique look, texture and sound to them, as woods are combined in new ways.

Aaron, it looks incredible. Honestly, its workmanship is such a testament to your talents and love of your craft. And I’ve never seen rope binding look this good. Mean. it. My instrument sings with a beautiful strength and clarity. The love of the luthier remains in the wood.
Best to you and Nicole and much gratitude!
- L.O.

#522- Curly Port Orford Cedar and Clockmaker’s Koa Scout Ukulele

These Scout ukuleles are my only soprano scale instrument, based on the Lyon and Healy Camp ukulele from the 1920’s. I use shop scraps for these and only make them when I have the extra time. This one has curly Port Orford Cedar from the Oregon coast courtesy of woodfromthewest.com, Clockmaker’s Koa from the Carpenter ant stash, a hemlock neck from Camp Westwind and walnut headstock, fretboard and bridge. A humble musical companion is ready for the world!

This is one fun instrument. I love playing it every day. Great sound for such a little instrument!! Thank you so much.
Thanks again,
- E. F.

#518- Blue Stained Port Orford Cedar and Mastergrade Myrtle Alto Ukulele

The fourth alto ukulele in a row this month! This one has some really unique features and I’m excited to get it to its final home. First up is the blue stained Port Orford Cedar. It occurs naturally in this log, I don’t do anything to it to get those blue streaks. Next, the Mastergrade Myrtle back and sides are also unique, as the back is one wide piece of Myrtle with an asymmetrical look. I chose a grafted pistachio fretboard, an old growth fir neck and curly maple binding to wrap it up. It is lightweight, resonant and easy to play, I’m really pleased with it! The Myrtle and Port Orford Cedar are from the Oregon coast, the pistachio is from California orchards (all from www.woodfromthewest.com) and the fir is salvaged from an old floor joist.

Just wanted to drop a line saying that the uke arrived yesterday and it’s really exceeded my expectations. It’s so easy to play and the tone is amazing. I’ve had a number of nice sopranos and concerts but this one really captures what I like about both sizes.
- A. S.

#513- Port Orford Cedar and Walnut Alto Ukulele

I seem to get lots of attention for Mastergrade and curly woods, but I often prefer straight grain and more humble wood sets. They all sound good, after all, and sometimes I appreciate the subtle character of the straight grain woods. This ukulele is for a player with arthritis and small hands, so I paid a little extra attention to that when carving the neck and setting up the strings. The Oregon walnut back and sides for this uke is a veneer scrap from a very old walnut log. My friend Ben Bonham built some guitars from it and gave me the rest for ukuleles. By the way, if you aren’t following Ben on Instagram you are missing out on some beautiful instruments. I paired it with a tight grained Port Orford Cedar top from the Oregon coast, old growth Douglas fir neck and spalted pistachio fretboard and headplate.

My ukulele just arrived! It is everything I hoped it would be and more! Thank you both for your talents!
- D. J.

#519- Curly Port Orford Cedar and Grafted Walnut Tenor Ukulele

Another of my favorite wood combos! Whether it is the Mastergrade/grafted/curly stuff like this, or more straight grain wood, POC and walnut always sounds good. Plenty loud, but rich and detailed; it makes me want to keep playing! Billy asked for a neck with nail holes and I had a great time working on this one for him. I plugged all the holes with walnut dowels, turning the flaws into features. All the wood for this except the neck is from woodfromthewest.com, with the POC from the Oregon coast and the walnut and pistachio from California orchards.

Thank you from the very bottom of my heart for my beautiful uke. As you know I have waited a very long time to be able to commission one and the anticipation has been at times overwhelming. I am such a fan of your work Aaron. We have a shared passion for wood as you know and the way you take your passion to such heights is truly awe-inspiring. I love the wabi sabi vibe – the nail holes in my neck are just amazing. Such beauty. But it is not just the wood, of course, but the way you craft it.
I am in complete awe of how you can make an instrument sound so good. I am fascinated by the different tones the different woods create and I love learning to distinguish these from what you explain in your videos. My tenor is so clear and warm and the sustain is fabulous.
Lots of love from us both. Take care
All good things
- B. P.
billy.jpg

#516- Mastergrade Myrtle Alto Ukulele

As soon as I strung this one up I realized what I had been missing: an all Myrtle ukulele! It seems like it’s been a while since I made one. It has a classic look and sound to me, as the all Myrtle uke has been a staple of my building for almost 10 years. The grain on this one is particularly interesting and the rope binding wraps it up nicely. The pistachio fretboard and headplate come from California Orchards, the Myrtle is from the Oregon coast and the fir neck is salvaged from a barn in The Dalles, OR.

Everything is great. It plays and looks amazing. It’s next to my bed and I’ve been playing it almost every day.
- D. K.

#517- Spruce and Maple Alto Ukulele

Buckle up folks, because we have four alto ukuleles in a row this month! The first is spruce and maple, one of my favorite combinations. Yes, they can be loud and bright, but I like the big dynamic range and clear tone that this combination offers. The wide grain, Oregon spruce top is from Camp Westwind on the coast. The amazing quilted maple is from the Carpenter Ant stash in Portland. The old growth Douglas Fir neck is from a Portland floor joist, with a single nail hole. The grafted pistachio for the fretboard and headplate is from California orchards.

The ukulele arrived today. I haven’t much time to play it yet, but I just wanted to let you know it was here, safe and sound, and it’s beautiful. My daughter is in love with it, too, and I promised I’d share. My first impression is that it has a lovely clarity and sustain, but a mellow voice. In the video you made, you highlighted the difference between how it looked at a distance, and all the beautiful details you see when you look closer. I think that’s a really great description of the uke, but I also wanted to mention that, although I’m pretty sure I never quite said that as we corresponded about building it, it’s a perfect description of the aesthetic I had been hoping for - something beautiful and well-crafted that wouldn’t attract attention from across the room, but something still worth admiring up close. That’s a kind of humble beauty the world can always use.

Update: I’m gradually getting more time to play and it’s been really rewarding. The intonation is great. I’m learning how much or how little force I can use. My hands are used to concert scale and now that I’m not overshooting my reaches so much it’s really making beautiful sounds!

- M. T.

#514- Curly Maple Concert Banjo Ukulele

The more time you spend with nice musical instruments, the more you start to notice their personality. After all, tone, durability, volume and playability should be a given, so what is left? What is left are the little details of sound, texture and design that give it a personality. After playing this little banjo, I can only describe its personality as “sweet.” It just is. Sweet to look at, sweet to hold and sweet on the ears. The curly maple is from the Carpenter Ant stash in Portland and the pistachio is from California Orchards.

#512- Hemlock and Walnut Scout Ukulele- For Camp Westwind

Camp Westwind is one of our favorite places in the world. We have spent many weeks there as part of the Tunes in the Dunes music event, sharing nature, music and community. For much of the year, Camp Westwind is focused on outdoor education for youth, a vital role in the modern world. This uke will be auctioned off to support Camp Westwind, please click here to bid.

The neck and body of this uke are made from a hemlock tree from camp and include some spalting and some little bug holes. The rest of the ukulele is Oregon walnut, offering a visual contrast to the hemlock and an important structural role as a harder wood. It is a soprano scale ukulele with fluorocarbon strings, bone nut and saddle, geared Gotoh tuners and brass fret markers. Includes soft case.

I documented the building of this ukulele in a YouTube playlist. It is available here: https://www.youtube.com/playlist?list=PLoP7YNiiu7XRwECW7q175zIbi4AVk5LPN

Hi Nicole and Aaron,

I absolutely love the scout ukulele. Thank you so much for your generous donation and all the time and effort put into this beautiful instrument to benefit Westwind!

Westwind has such a special place in my heart. Its stunning beauty, wonderful friendships, amazing food, magical campfires, exciting adventures to the sea cave, awe-inspiring hikes, lovely poetry, powerful yet peaceful ocean, and music flowing through every nook and cranny fill me with joy!

I am so excited to have another beautiful memory of Westwind. How cool is it to have a ukulele made from Westwind wood and you, Aaron! I will treasure it!
- G. R.

#515- Curly Walnut Tenor Banjo Ukulele

When I was in Port Townsend last year for the ukulele festival, my friends Jere and Greg took me to a lumber store called Edensaw. We had fun looking at all the crazy woods and tools and before we left I grabbed a couple of boards of this colorful curly walnut. Paired with some subtle pistachio it makes for a great looking and sounding banjo. Also, I send a shoutout to whatever goat gave us this skin, it certainly is beautiful!

#502- Mahogany, Cherry and Maple Tenor Ukulele

I love the classic mainlaind ukes of the early-mid 20th century. Many of them used Honduras mahogany as the main tone wood instead of the rarer Hawaiian Koa. This uke is a no frills tenor, with cherry and maple for the neck, headplate, fretboard and bridge. Geared tuners, bone nut and saddle, fluorocarbon strings, radiused fretboard and hard shell case. All the wood is from the Carpenter Ant stash in Portland. Yours for $1550 plus shipping. Click here to buy, happy strumming.

I received #502 this afternoon. What a beauty; although you already know that. I love the beautiful simplicity of this uke and it sounds great right out of the box. I’ll write you again in a few weeks with a little more detailed feedback. Anyway, thanks again. I’m so happy!!

Update: ....Six weeks later I’m even more in love with #502 than ever. That simple stark beauty just bowls me over every single time I look at it. And it sounds and plays amazing. This is my go-to uke. Thanks again and hoping all is well with the Keim family. Best wishes always!
- C. P.

#507- Curly Port Orford Cedar and Grafted Walnut Baritone Ukulele

At first I thought that a baritone ukulele tuned gcea would be a bad idea. But, I’ve proved myself wrong enough times that I can admit that it sounds and feels great. This one is no exception, with a loud and rich voice and easy playability. The woods are top notch too, with curly Port Orford Cedar from the Oregon coast and grafted walnut and grafted pistachio from California orchards. I couldn’t be more pleased with it! I am also quite proud of the natural beauty mark on the cedar top. It is that little bit of wabi-sabi that brightens my day and reminds me that none of us are perfect.

Hi Aaron & Nicole - This baritone uke is the most beautiful instrument I have ever owned in my 71 years!! Thank you, thank you, thank you! I’m in uke love!!
🎶💛🎶💛🎶
- R. P.

#511- Curly Port Orford Cedar and Walnut Scout Ukulele

One of the key ways that Nicole and I have stayed afloat over the years is that we have several different businesses/crafts/projects going at once. We then follow the opportunities that come in and balance how we spend time accordingly. Since all of our music events have been cancelled this year, we were pretty worried how we would make ends meet, but it’s meant more time in the shop, which has led to more Scout ukuleles! This one has a curly Port Orford Cedar top from the Oregon coast, walnut back, sides, fretboard and headplate from the scrap bin at Goby Walnut and a salvaged Cyprus mustard tank neck. I think it has a sweet and charming sound, which I had a great time playing today.

I just wanted to let you know that the Beansprout Scout #511 arrived safe and sound today.

It is even more beautiful in person!

Thank you for all you do. Your talents help bring music to the world and I am eternally grateful to have had the opportunity to buy not one but two of your amazing instruments.

Have a great weekend, and happy strumming!
- A. L.